Lawrence Lek is a London-based artist and filmmaker who unites architecture, video game design, and electronic music into a continuously expanding cinematic universe. He is best known for his immersive installations and films that explore spiritual and existential themes through the lens of science fiction. Often rendered from the point of view of nonhuman characters, his works are noted for their dreamlike narratives and long takes, evocative visual imagery, and preoccupation with technology and memory.

NEWS

December 15, 2024

34th Ljubljana Biennale: Iskra Delta

“Iskra Delta was a name of a computer company from Slovenia and one of the largest computer manufacturers in Yugoslavia, which had the potential to become a major player in the global market before the breakup of the country...

read more →
April 6, 2022

Worldbuilding: Gaming and Art in the Digital Age

Curated by Hans Ulrich Obrist to celebrate the fifteenth anniversary of the JULIA STOSCHEK COLLECTION, the group exhibition WORLDBUILDING: Gaming and Art in the Digital Age opens in Düsseldorf this June.

read more →
October 11, 2021

Future Shock at 180 The Strand, London

“Blurring boundaries between the physical and virtual, 180 Studios and Fact present an exhibition by pioneering artists at the apex of sound and vision who are imagining the new world of space.”

read more →

SELECTED WORKS

WORLDBUILDING

“Sinofuturism is an invisible movement, a spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives.  It is a movement, not based on individuals, but on multiple overlapping flows — flows of populations, of products, and of processes.  Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China.  But it is not.  It is a science fiction that already exists.”

2014

2015

2016

2017

2018

2019

2020

2021

2022

2023

2024

Bonus Levels

Sky Line

Europa, Mon Amour

Unreal Estate

Berlin Mirror

QE3

Nøtel

Pyramid Schemes

'Sinofuturism' Series

Sinofuturism

Geomancer

2065

Play Station

AIDOL

FTSE

Temple

'Smart City' Series

Black Cloud

NOX

Empty Rider

'Nepenthe' Series

"In his ongoing fictional universe, begun in 2016 with his seminal video essay Sinofuturism (1839–2046 AD), Lek explores how the complex interplay between geopolitics and technology shapes a vision of the coming world that conflates China and its diaspora with artificial intelligence. In this and other works, the artist imagines how agency may be restored to the Other: a satellite in Geomancer (2017) wishes to become an artist, while AIDOL (2019) centers on the relationship between a fading pop star and an aspiring AI songwriter. Blurring geographical borders and the delineation between natural and artificial beings, Lek leads viewers to confront contradictions that humanity might face in the near future."

SOUNDTRACKS

Album artwork from 'Geomancer (Official Soundtrack)' (2017)

Geomancer OST

Eternal Dragonz, 2017

Learn more
Album artwork from 'Temple (Official Soundtrack)' (2020)

Temple OST

The Vinyl Factory, 2020

Learn more
Album artwork from 'AIDOL (Official Soundtrack)' (2017)

AIDOL OST

Hyperdub Records, 2020

Learn more